Description

Ceramics | 2-Week Clay Handbuilding Workshop: Charcuterie Tray
Tuesdays, from 6-8:30pm
Select a date from the drop-down menu.

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San Diego Craft Collective, 2590 Truxtun Rd., Studio 106, SD 92106 • 619.273.3235 • make@sandiegocraft.org

This class is hosted indoors, so we suggest:
• Dress in layers so you can adjust to the studio temperature.
• Bring water/beverage if you need to be comfortable.
• Bring an apron or wear comfortable clothes that can get messy. You can purchase an apron here.

DIRECTIONS: Located in Liberty Station’s Arts District, you can find our studio at the end of the hallway on the 1st floor of the Dorothea Laub Music & Arts Center (Bldg 176) at the corner of Roosevelt & Truxtun, next to The Lot movie theater. There is plenty of free parking. Parking Lot Q is behind our studio — enter via the driveway off Dewey. Across the street in the Vons parking lot, it is also free. If you can’t find us, call or text 619.273.3235.

CLASS SIZE: 3 min. If the minimum is not met, you will receive a full refund or credit toward another class.

REFUNDS: No refunds for tardiness or no-shows. For a refund (minus a 5% processing fee), you must cancel 7 days before the start of the class. After 7 days, we cannot offer refunds, as materials and supplies have already been purchased.

TRANSFERS: You may transfer your enrollment spot to someone else, but transfers must happen before the workshop begins. Please email us to let us know who’s coming.

INTEREST LIST: If a class is full or you would like to be notified of future offerings, join our Interest List to be notified when new dates or spaces are available.

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ABOUT THE INSTRUCTOR:
Lydia Kardos is a San Diego visual artist working with a focus in ceramics. Her work in photography, exploring narratives through imagery, color composition and the female form as well as her work in painting and drawing have contributed to her sculptural voice. The contrasts of living in New York City, Mexico and California have deeply influenced her visual language. A conversation of home, surroundings and connection to these spaces can be seen in mark making, impasto and scumbling techniques in her glaze work as well as  surface design, texture and more importantly color. The importance and inspiration of magical realism is apparent in her description of objects and spaces as her ceramics tell stories with texture, color, abstract shapes and biomorphic forms. Lydia invites the viewer to an intimate space between two worlds of the present and fantasy through exaggerated and vivid colors and her objects as characters, undulating in form, lush with texture. Her most recent exhibitions were in Boston, MA, New York, NY, and Brooklyn, NY.